1921 | Martin Matschinsky born in Grötzingen |
1923 | Brigitte Meier-Denninghoff born in Berlin |
1938-40 | Photographer apprenticeship MM |
1948-50 | MM Co-founder and actor of the Otto Falckenberg School in Munich |
1949 | BM Co-founder of the artist group ZEN 49 in Munich; assistant to Henry Moore and Antoine Pevsner |
1952-54 | BM Stage designer at the Theater Darmstadt; 1952 acquaintance with MM, whom she encourages to sculpture |
1955 | Marriage; joint work |
1959/64 | Participation in Documenta II and III |
1961 | Paris |
1969 | Berlin |
from 1970 | joint works under the name Matschinsky-Denninghoff |
1994 | move to Schönfeld |
2011 | BM died in Berlin |
Pairs of artists are not rare in the 20th century, but that they work together in a working unit is not too common. We find 'institutional' communities in conceptual art (Christo & Jeanne-Claude), in photography (Bernd and Hilla Becher) or in performance (Eva and Adele), sometimes also in sculpture: here Brigitte and Martin Matschinsky-Denninghoff, who usually only went by their last names, are the best-known two-person team. The artists became known for their steel tube bundles - in public spaces as well as in more delicate rod objects for interiors.
Matschinsky-Denninghoff's sculptures are an impressive example of the possibilities of informal sculpture. The artists call their works "dance-like, buoyant spatial figurations." Their work is influenced by the classic basic theme of sculpture: the dialogue between body and space. The artist duo Matschinsky-Denninghoff tried, to speak with Paul Klee, not to make nature visible, but the forces behind it. The artists themselves formulate their concern as follows: "We basically work like nature, by building and joining, but with the help of twentieth-century technology."